Perspective warp rippled through the graphic design team. Netmorf had been called to present to the OVOM Board 9am Monday. Financials, go-to-market alpha channels, the whole package. Holding down space and panning the group chat paranoid, Eiffel Rush suspected it was Ember Bilder on a layer behind this, opacity set to 0bviously an 0uternet 0uster%.

“Graphics squad! Yes-me-up a deck of Morf charts generated end-to-end with code, no dithering.”

“Prof. Rush,” quickposted Vance Render, “if the charts are randomly generated they won’t contain any actual data.”

Brush bristled at that. “Your Y-axis is noted Yungrender, but as a critical graphic designer you ought to know that information is scarcely the object of the exercise. This is fenging boardroom eyekebana. Number shui. I’m after an Eiffel of verysuals that not even Bezos would dare to frunt. Review asaply.”

Rush quit the chat. Frunter (nis.eth), graphic design team lead, took the stage briefly.

“Team, for this sprint we will use the generative AI tools in Source. You’ll be making charts. Art direction: 10×Bezos.

Design and publish in Source, using the Netmorf seed assets you find there. Post your charts in the group chat.”

This is episode four of PNG in the EYE, a permissionless fiction set in a Dotcom Seance autonomous world. The episode was accompanied by a pack of Netmorf seed assets, made available for remix directly in a beta version of the titles.xyz app Source. Charts made using these seeds were shared and minted in a beta version of Mirror’s Collector Chat product, which later became Kiosk.